After reading the newspapers and following the sharp oscillations of the stock market, it becomes apparent that hi-tech companies are of a different breed. Never before have the chances of making a fortune been so realistic and never before have large companies been so fragile. What is really going on inside these hi-tech companies? What types of pressures and challenges are th...(展开全部)

After reading the newspapers and following the sharp oscillations of the stock market, it becomes apparent that hi-tech companies are of a different breed. Never before have the chances of making a fortune been so realistic and never before have large companies been so fragile. What is really going on inside these hi-tech companies? What types of pressures and challenges are t...(展开全部)

Marta Figlerowicz argues that these uncommon flat protagonists challenge our larger views about the novel as a genre. Upending a longstanding tradition of valuing characters for their complexity, Figlerowicz proposes that novels, and their characters, should be appreciated for highlighting the limits to how much attention any particular person's self-expression tends to garner,...(展开全部)

In her biggest book since The Vegetarian, the new novel from Han Kang tells the story of a friendship, taking us on a journey from South Korea into its painful history. One morning in December, Kyungha receives a message from her friend Inseon saying she has been hospitalized in Seoul and asking that Kyungha join her urgently. The two women have last seen each other over a year...(展开全部)

In her biggest book since The Vegetarian, the new novel from Han Kang tells the story of a friendship, taking us on a journey from South Korea into its painful history. One morning in December, Kyungha receives a message from her friend Inseon saying she has been hospitalized in Seoul and asking that Kyungha join her urgently. The two women have last seen each other over a year...(展开全部)

马修•托马斯（Matthew Thomas），作家，出生于美国纽约，毕业于芝加哥大学。获美国霍普金斯大学文学硕士及美国加州大学欧文分校艺术硕士双学位。 《不属于我们的世纪》是马修倾注10年心血完成的小说处女作，故事围绕着爱尔兰裔美国女人艾琳的一生展开。在丈夫身患早发性阿 尔茨海默病之后，家庭三人的生活与个人追求都遭受了强烈的冲击，作者淋漓尽致地刻画了普通中产阶级家庭的现实矛盾与痛楚。这本史诗色彩的家庭小说，流动着深沉而动人的情感，更浓缩着美国社会半个多世纪以来的民生百态和世事变迁。 2013年4月，《不属于我们的世纪》成为轰动伦敦书展的话题大书，西蒙·舒斯特以超过百万美元的天价买下版权，其电影版权由好莱坞第一文学制片人斯科特·鲁丁购得。作品于夏天一经问世，便获得极高评价，同时入围包括弗莱厄蒂-邓南首作奖、英国弗里奥文学奖、英国布莱克纪念奖、都柏林国际...(展开全部)

马修•托马斯（Matthew Thomas），作家，出生于美国纽约，毕业于芝加哥大学。获美国霍普金斯大学文学硕士及美国加州大学欧文分校艺术硕士双学位。 《不属于我们的世纪》是马修倾注10年心血完成的小说处女作，故事围绕着爱尔兰裔美国女人艾琳的一生展开。在丈夫身患早发性阿 尔茨海默病之后，家庭三人的生活与个人追求都遭受了强烈的冲击，作者淋漓尽致地刻画了普通中产阶级家庭的现实矛盾与痛楚。这本史诗色彩的家庭小说，流动着深沉而动人的情感，更浓缩着美国社会半个多世纪以来的民生百态和世事变迁。 2013年4月，《不属于我们的世纪》成为轰动伦敦书展的话题大书，西蒙·舒斯特以超过百万美元的天价买下版权，其电影版权由好莱坞第一文学制片人斯科特·鲁丁购得。作品于夏天一经问世，便获得极高评价，同时入围包括弗莱厄蒂-邓南首作奖、英国弗里奥文学奖、英国布莱克纪念奖、都柏林国际...(展开全部)

In the small, affluent town of Fairview, Connecticut everything seems picture perfect. Until one night when young Jenny Kramer is attacked at a local party. In the hours immediately after, she is given a controversial drug to medically erase her memory of the violent assault. But, in the weeks and months that follow, as she heals from her physical wounds, and with no factual re...(展开全部)

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: t...(展开全部)

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: t...(展开全部)